In the second painting of my Sweetwater Creek series I decided to hold off on the impasto work. I like the water in this piece and the reflections of the trees seem more pronounced. The depth provided by the blacks, grays and blues in the top center make a bit of intrigue as to where the water ends and land and trees begin.
Even when looking at this work now, I wonder if I should not done some impasto work. I guess I'm always my best and worst critic, as the few people who have seen this painting like it better than Sweetwater Creek #1.
All comments welcome.